Nàng tựa cửa xe, lông mày hơi nhíu

Nàng tựa cửa xe, lông mày hơi nhíu lại, đôi mắt xa xăm. Nhưng nếu không có nét xa xăm,nàng sẽ bớt đẹp. Nàng đẹp một cách lơ đãng như thể chẳng cần tới sắc đẹp ấy nữa. Nàng đẹp khuê các, dịu thầm. Phan tuởng như đang gặp một nguời đàn bà đẹp thời hà nội 36 phố phừơng, mang máng như ai đó đã vẽ nàng hoặc ít ra cũng đã có người đàn bà trong một chân dung nào đó giống nàng. Nàng vừa mô hồ trìu tuợng như bức tranh "người đàn bà xa lại" vừa mộc mạc như phác thảo ban đầu. Càng nhìn càng xa lạ, càng sâu lắng đến bồn chồn.

Kết quả (Anh) 1:

Her car door restraints, eyebrows slightly raised eyebrows again, the eyes away from the tattoo. But if there is no distance definition, you will be less beautiful. She is beautiful in a way as if the real beauty got her again. Her beautiful Carla the mellow whisper. P other people are having a pussy as nice as Hanoi 36 Street phừơng, bear chutes as someone has to draw her or at least had her man in a portrait that looks like her. She has just scaled outdoor physical tuợng as the painting "the woman far back" just as the original outline rustic. As you look more familiar, the more deep and restless.

Kết quả (Anh) 2:

She leaned the door, brow slightly furrowed, eyes distant. But if there is no focus distance, she will be less beautiful. She absently beauty as beauty does not need to anymore. She Khue these beautiful, gentle whisper. Proportion as the woman'm having a nice time Hanoi 36 streets, vaguely like someone had painted her, or at least have a woman in a portrait of a certain breed her. She has vague abstract painting as "the woman away from the" just rustic like a first draft. The more you look the more strange, more profound to restlessness.