Although the british are comparativ

Although the british are comparatively uninterested in formal education, and although they watch a lot of television, they are nonetheless enthusiastic readers.
Many people in the literary world say that british literature lost its way at the end of the twentieth century. The last british author to win the nobel prize for literature written in english and poblished in britain in recent years has been written by people from outside britain. The booker prize is the most important prize in britain for a work of fiction. Starting with salma rushdie in 1981, nine of its next fourteens winers were writers from former british colonies such as canada, idia, ireland, nigeria.

Although many of the best ‘ serious’ british writers manage to be popolar as well as pround, the vast majority of the book that are read in britain could not be classified as ; serious’ literature.( that is, mid way between serious, or highbrow literature and popular or ‘ pulp’ fiction). For example, the distincly british genre of detedtive fiction ( the work of writers like agatha christie and ruth rendell) is regarded as entertaiment rather than literature but it is entertainment for illigent readers. There are many british authors, mostly female ( for example, norah lofts and rummer godden), who write novels which are sometimes classified as ‘romances’ but which are actully deeper and more serious than that term often implies. They are neither popular ‘blockbusters’ nor the sort of books which are reviewed in the serious literary press. And yet they continue to be read, year after year after year, by hundreds of thousands of people.
In 1993, more than half of the hunrdeds most borrowed books from britain’s public libraries were romantic novels. Many were of the middlebrow type. The rest were more simplistic stories about romance ( she is young and pretty, he is tall, dark and handsomewith a very firm jaw; whatever happens during the story, they end up in each other’sarms – forever). The british publisher which sells more books than any other is mills & boon, whose are exclusively of this type.
It is more than 200 years since poetry stopped being the normal mode of literary self-experession. And yet, poetry at the end of the twentieth century is surpringly, and increasingly, popular in britain. Books of poetry sell in comparatively large numbers. Their sales are not nearly as large as sales of novels, but they are large enough for a few small publishers to survive entirely on publishing poetry. Many poets are asked to do readings of their work on radio and at arts festivals. Many of these poets are not academics and theirs writing is accessible to nonspecialists. Perhaps the ‘pop’ idiom and the easy availability of sound recording have made more people comfortable with spoken verse then they were fifty years ago.

Kết quả (Anh) 1:

Although the british are comparatively uninterested in formal education, and although they watch a lot of television, they are nonetheless enthusiastic readers.Many people in the literary world say that british literature lost its way at the end of the twentieth century. The last british author to win the nobel prize for literature written in english and poblished in britain in recent years has been written by people from outside britain. The booker prize is the most important prize in britain for a work of fiction. Starting with salma rushdie in 1981, nine of its next fourteens winers were writers from former british colonies such as canada, idia, ireland, nigeria.Although many of the best ' serious ' british writers manage to be pround popolar as well as, the vast majority of the book that are read in britain could not be classified as; serious ' literature.(that is, mid way between serious, or highbrow literature and popular or ' pulp fiction '). For example, the distincly british genre of detedtive fiction (the work of writers like agatha christie and ruth rendell) is regarded as entertaiment rather than literature but it is entertainment for illigent readers. There are many british authors, mostly female (for example, norah lofts and rummer godden), who write novels which are sometimes classified as ' romances ' but which are actully deeper and more serious than that term often implies. They are neither popular ' blockbusters ' nor the sort of books which are reviewed in the serious literary press. And yet they continue to be read, year after year after year, by hundreds of thousands of people.In 1993, more than half of the hunrdeds most borrowed books from Britain's public libraries were romantic novels. Many were of the middlebrow type. The rest were more simplistic stories about romance (she is young and pretty, he is tall, dark and handsomewith a very firm jaw; whatever happens during the story, they end up in each other'sarms-forever). The british publisher which sells more books than any other is mills & boon, whose are exclusively of this type.It is more than 200 years since poetry stopped being the normal mode of literary self-experession. And yet, poetry at the end of the twentieth century is surpringly, and increasingly, popular in britain. Books of poetry sell in comparatively large numbers. Their sales are not nearly as large as sales of novels, but they are large enough for a few small publishers to survive entirely on publishing poetry. Many poets are asked to do readings of their work on the radio and at arts festivals. Many of these poets are not academics and theirs writing is accessible to nonspecialists. Perhaps the ' pop ' idiom and the easy availability of sound recording have made more people comfortable with spoken verse then they were fifty years ago.

Kết quả (Anh) 2:

Although the British are comparatively uninterested in formal education, and although chúng watch a lot of television, chúng nonetheless enthusiastic readers.
Many people 'in the literary world lost the its intoxicating way rằng British literature at the end of the twentieth century. The last British author to win the Nobel prize for literature in english and poblished ghi in britain in recent years đã bởi people 'from outside britain. The Booker prize is The Most Important in britain for a work of fiction. Starting with Salma Rushdie in 1981, nine of the its next winers fourteens Were Former British colonies writers như from canada, idia, ireland, nigeria. Although many of the best 'serious' British writers manage to be popolar as well as pround, the VAST Majority of the books read in britain được không Classified as; serious' literature. (That is, the between mid way serious, highbrow literature and Popular hay or 'pulp' fiction). For example, the British distincly detedtive genre of fiction (the work of writers like Agatha Christie and Ruth Rendell) is Regarded as thay coal Entertainment literature but it is entertainment for illigent readers. There are many British authors, Mostly female (for example, lofts and Norah rummer Godden), who write novels are sometimes mà Classified as 'Romances' are actully mà but deeper and more serious coal often Do rằng term implies. They are Neither Cool 'blockbusters' mà nor the sort of books are reviewed in the serious literary press. And yet chúng continue to be read, year after year after year, by hundreds of Thousands of people '. In 1993, More Than Half of the hunrdeds nhất Borrowed books from public libraries Were britain's romantic novels. Were many of the middlebrow type. The rest Were more simplistic stories about romance (She is young and pretty, Summer is tall, dark and handsomewith a very firm jaw, whatever the during the story Happens, They end up in each other'sarms - forever). The British publisher Sells more books mà coal mills & boon is any other points, Exclusively có are of this type. It is more coal 200 years vì poetry stopped being the normal mode of literary self-experession. And yet, poetry at the end of the twentieth century is surpringly, and increasingly, Popular in britain. Books of poetry sell in comparatively large numbers. Their sales are not Nearly as large as the sales of novels, but chúng large enough for the small publishers vài to survive entirely on publishing poetry. Many Poets Are Asked to spend the weekend by the readings of work on the radio and at arts festivals. Many of những Poets Academics and theirs are not accessible to nonspecialists is writing. Perhaps the 'pop' idiom and the easy availability of sound recording have made ​​more comfortable with spoken verse key people 'They were fifty years ago.